Hippo are faster on land than you might think. Should you come between them and their safe haven, they can attack, or simply run over you to get back to the water. The best camps and lodges provide an escort, often armed, to escort you.
Another way to avoid crowding hippo is to stay in shallow waters when canoeing or boating, giving hippo the freedom they prefer in deeper waters. This is smart on the Zambezi above Victoria Falls, the Rufiji in the Selous, or the tributaries of the Okavango Delta.
You may still encounter the occasional rogue or Angry Young Male, trying to prove himself, (which also happens with bull elephant) and the injured, ticked off at the world because they’re in pain. These are times when your local safari guide is golden. They often know animals individually, and can steer you away from dangerous ones.
Even experts in animal behavior have close encounters. My friend Joan Root had her face mask ripped off by a hippo when filming underwater at Mzima Springs, the tusks missing her face by millimeters. The water was murky, and the hippo, fresh from a losing battle, may have taken her diving bubbles for a sign of his rival. Alan Root didn’t get off so easily; the same hippo bit his leg, which gave fodder to George Plimpton’s New Yorker, 1999 profile “The Man Who Was Eaten Alive.” Root recovered in the Nairobi hospital, and returned to finish the filming at Mzima, but this among many legendary wildlife attacks led to The New York Times 2017 obituary describing him as “Oft-Bitten Filmmaker.”
To photograph hippo, use such a blind, a telephoto, or shoot from a vehicle. I do not encourage flash photography with animals; at dusk or night, use very high speed film, or simply watch hippo with night vision binoculars, or do as I did, regard them by the light of the moon.
Those silver bullets dashing toward Lake Naivasha remain one of the more dreamy images I have of Africa. It’s a good idea to pull that camera off the front of your face once in a while anyway; you experience things differently, and it’s a challenge to then try to capture images as vivid as those memories kept in the mind’s eye.